{"id":728,"date":"2012-10-13T17:41:15","date_gmt":"2012-10-13T16:41:15","guid":{"rendered":"http:\/\/hasa-labs.org\/spinoffs\/?p=728"},"modified":"2012-10-31T22:57:02","modified_gmt":"2012-10-31T21:57:02","slug":"koerpertechniken","status":"publish","type":"post","link":"https:\/\/hasa-labs.org\/spinoffs\/2012\/10\/13\/koerpertechniken\/","title":{"rendered":"K\u00f6rpertechniken"},"content":{"rendered":"<p>Marcel &#8216;Danger&#8217; Maus 1979: <em>\u201cI made, and went on making for several years, the fundamental mistake of thinking that there is technique only when there is an instrument.(&#8230;)The body is man&#8217;s first an most natural instrument. Or more accurately, not to speak of instruments, man&#8217;s first and most natural technical object, and at the same time technical means, is his body.\u201d<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" width=\"600\" height=\"450\" src=\"http:\/\/www.youtube.com\/embed\/7U66tYpzQTE?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<a href=\"http:\/\/juliadales.com\">Julia Dales<\/a> &#8211; 2009<br \/>\n&nbsp;<br \/>\n<a href=\"http:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/10\/IMG-20121029-WA0009.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/10\/IMG-20121029-WA0009.jpg\" alt=\"\" title=\"IMG-20121029-WA0009\" width=\"600\" height=\"410\" class=\"alignnone size-full wp-image-752\" \/><\/a><br \/>\nUnbekannt &#8211; ausm internet<br \/>\n&nbsp;<br \/>\n<a href=\"http:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/05\/P1060300.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-729\" title=\"Dortmund Innenstadt\" src=\"http:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/05\/P1060300-600x337.jpg\" alt=\"\" width=\"600\" height=\"337\" srcset=\"https:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/05\/P1060300-600x337.jpg 600w, https:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/05\/P1060300-1024x576.jpg 1024w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><br \/>\n2011 stellt man sich in der Fussg\u00e4ngerzone von Dortmund \u00f6ffentlich den face-tracking Technologien.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/10\/Hans_Bellmer-1902-1975-La-Poup\u00e9e-The-Doll1935.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-737\" title=\"Hans_Bellmer, La Poup\u00e9e (The Doll)1935\" src=\"http:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/10\/Hans_Bellmer-1902-1975-La-Poup\u00e9e-The-Doll1935.jpg\" alt=\"\" width=\"600\" height=\"595\" srcset=\"https:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/10\/Hans_Bellmer-1902-1975-La-Poup\u00e9e-The-Doll1935.jpg 600w, https:\/\/hasa-labs.org\/spinoffs\/wp-content\/uploads\/2012\/10\/Hans_Bellmer-1902-1975-La-Poup\u00e9e-The-Doll1935-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><br \/>\n<a title=\"Towards a theoretical foundation for morphological computation with compliant bodies.\" href=\"http:\/\/www.ncbi.nlm.nih.gov\/pubmed\/22290137\" target=\"_blank\">Morphological Computation<\/a> anno 1935 von Hans Bellmer<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/42460771?badge=0&amp;color=95c406\" frameborder=\"0\" width=\"600\" height=\"337\"><\/iframe><br \/>\nTrailer von Olivia Wyatts Film <a href=\"http:\/\/sublimefrequenciescommunique.blogspot.ch\/2012\/05\/sf-film-screening-pierced-heart-machete.html\"><em>The Pierced Heart and The Machete<\/em><\/a> &#8211; erscheint 2012 auf <a href=\"http:\/\/www.sublimefrequencies.com\">Sublime Frequencies<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marcel &#8216;Danger&#8217; Maus 1979: \u201cI made, and went on making for several years, the fundamental mistake of thinking that there is technique only when there is an instrument.(&#8230;)The body is man&#8217;s first an most natural instrument. Or more accurately, not to speak of instruments, man&#8217;s first and most natural technical object, and at the same [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[81,82,16],"class_list":["post-728","post","type-post","status-publish","format-standard","hentry","category-apparillo","tag-embodiment","tag-korper","tag-technik"],"_links":{"self":[{"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/posts\/728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/comments?post=728"}],"version-history":[{"count":21,"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/posts\/728\/revisions"}],"predecessor-version":[{"id":736,"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/posts\/728\/revisions\/736"}],"wp:attachment":[{"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/media?parent=728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/categories?post=728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hasa-labs.org\/spinoffs\/wp-json\/wp\/v2\/tags?post=728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}